Tag Archives: fashion

This makeup compact phone case will make it easier to apply makeup on the go

You have to somehow make sure your makeup doesn’t slide onto the floor each time the train jerks, while attempting to put on your lipstick without getting it all over your face. It’s not ideal.

One company is making it easier for us commuters – who would rather sleep in than put on makeup before leaving the house – to look good without spreading our makeup over the person next to us.

The Pout Case is a phone case that comes with a makeup compact attached to it. It’s dainty but it’s absolutely perfect for those who need to apply a little lipstick or foundation while on the go.

The case is the brainchild of Nafissa, a ‘dreamer, tech geek, and entrepreneur’ who was inspired to create it during a board meeting when having just come from the gym.

METROGRAB: This phone case has a genius makeup palette compartme

Nafissa had found herself barefaced with no handbag in sight. She turned to her sister and received a compact under the table, which she went on to attach to her phone with a hairband before sneaking out of the room.

Immediately, she began working on Pout, believing her idea would help anybody turn a bad busy day into a good one.

Alongside having a great initiative, Nafissa has released the case in a range of colours, including black and gold, black and pink, white and gold, and white and pink.

Once you’ve selected your case color, you can go on to choose what you’d like in it – selecting between three seven shades of lipstick, four shades of foundation or some lip balm.

Source:

This makeup compact phone case will make it easier to apply makeup on the go

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Ashley Graham Shows off Curvy Denim Look

Supermodel Ashley Graham has been breaking stereotypes on what models are supposed to look like for years now. From being the first so-called “curvy model” to appear on the cover of Sports Illustrated’s Swimsuit Edition to not being shy about sharing pictures of her cellulite, she has inspired many women to embrace their bodies what matter what their shape or style.

On Saturday she shared a series of photos on her Instagram showing off how to wear denim-on-denim the right way.

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Jumping on the off-the-shoulder shirt trend, Graham wore light washed jeans with a revealing dark denim top. She completed the look with statement oversized hoops and beige heeled boots.  She let her long locks flow and kept the makeup very light. She effortlessly achieved the perfect weekend look.

Graham also shared with her 4.4 million Instagram followers Story videos enjoying her weekend with friends, sipping on coffee and riding around in a golf cart.

Most recently, Graham graced the cover of Glamour magazine where she opened up about redefining what “sexy” means and empowering women to feel great with what the media calls “flaws.”

“Embrace what you have,” she said. “Say, ‘Belly, you might be poking out today, but I’m going to choose to love you and nurture you.’”

Graham is not shy about sharing her imperfections. And her fans love her for it.  This swimsuit photo she posted last week received almost 280,000 likes and over 4,000 comments.

 

One commenter wrote, “Being an ambassador is one who promotes being healthy vs what the world would like to see. Good on you for not photoshopping this pic and reminding the world that models aren’t flawless, loved you on #antm. Keep it up bae and don’t change.”

Another commenter added, “All natural no implants what real women in the world look like nothing fake here, great role model, who needs Victoria Secret,  bravo! bravo!”

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Source:

https://www.yahoo.com/style/ashley-graham-shows-off-curvy-denim-look-171025382.html

Miss Haiti 2017 hosts a charity fashion show in Miami

Raquel Pelissier, the Haitian beauty queen that was steps away from being crowned Miss Universe 2017, returns to Miami to host a fashion show to raise funds for Prodev Haiti Schools. This organization provides approximately 10,000 children with access to education and sponsors an annual Christmas toy distribution. 
 
Pelissier was in Miami in February soon after she competed in the Miss Universe pageant, where she was awarded First Runner Up behind France’s Iris Mittenaere. She visited the Little Haiti neighborhood to speak with locals about her journey and was also awarded the key to the City of Miami. 
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The fashion show will feature designs by Rachel Roy and will be held noon to 4 p.m. Sunday at the Turnberry Isle Hotel in Aventura. Among the celebrity attendees will be Miami Dolphins Mike Pouncey. Pelissier will be joined by ABC News anchor and reporter Calvin Hughes. 
General admission tickets start at $200 and include a champagne brunch, fashion show, gift bag and silent auction access featuring art, fashion and exclusive getaways.  A runway front row seat is available for $300 and is all-inclusive, with attendance at the Celebrity VIP Reception. For additional information, visit www.catwalkforcharity.org.

Denver Fashion Weekend announces summer ’17 fashion and art show

If you love Denver Fashion Weekend’s incredible spring and fall fashion shows, then you’re not going to want to miss DFW’s first summer fashion and art show. 

The event is hosted by 303 Magazine and will take place Saturday and Sunday, August 5 and 6. What’s unique about this fashion show is that it will incorporate the DaVinci Machines Exhibition at the Wings over the Rockies Air and Space Museum.

With a ticket, people will get to walk through the DaVinci exhibit, followed by a fashion show highlighting Denver’s best designers and boutiques. 

The exhibit features several remastered DaVinci works including the “Mona Lisa” and “The Last Supper.”

There will also be more than 65 hand-crafted inventions on display, built from DaVinci’s famous designs. The interactive models include war machines, flying machines, nautical and hydraulic machines, and devices illustrating the Principles of Mechanics.

Visitors are allowed to touch the machine models in order to get an up-close and personal look at how they operate. 

And like all of DFW’s fashion shows, fabulous models will be strutting their stuff down the runway after the art exhibit showing. 

303 Magazine is also switching it up this year by including a children’s fashion show on Sunday, August 6. The show is open to kids ages 6 to 13, and will show off Denver’s amazing children’s boutiques and designers. 

Starting at 4 p.m., kids and their parents will be able to walk through the DaVinci exhibit, followed by a kid-friendly reception and fashion show. 

There is a casting call for both runway shows scheduled for Tuesday, June 27 at Wings over the Rockies. For the children’s show, parental guardians must accompany their kids at the casting call. 

For more information on the event and the casting call, visit 303Magazine.com. 

Source:

http://www.9news.com/features/dfw-announces-first-summer-fashion-and-art-show/447824050

A Men’s Label, Born on Instagram

Two men — one in Miami, the other in New York, both passionate about suits — stumble upon each other on Instagram. They feel a connection. Mutual respect on social media turns into real-life camaraderie. They meet, they click, they draw up a plan.

A business is born.

That is the origin story of Musika Frère, a label that specializes in custom suits that often come in unusual colors or patterns, and has drawn a clientele that includes Jay Z, Michael B. Jordan, Stephen Curry, Kevin Hart and even Beyoncé.

Its founders, Aleks Musika, 32, and Davidson Petit-Frère, 27, are somewhat famous in their own right: Mr. Petit-Frère has over 200,000 followers on Instagram, and Mr. Musika more than 178,000.

“Guys in suits and guys taking pictures of themselves really didn’t happen back then,” Mr. Musika said of the period when he and Mr. Petit-Frère first started their pages, about five years ago.

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Mr. Petit-Frère said: “We had a following. We just didn’t have a product.”

The brand they eventually came up with, at a Miami public library in 2013, reflects their particularities and interests. “We take inspiration from the ’20s, ’30s, and remix it,” Mr. Petit-Frère said. “We call it neo-classical tailoring.”

Mr. Petit-Frère added, “It’s a small detail, but it’s also a big detail.”

Neither designer comes from a traditional fashion background. Mr. Petit-Frère, a native New Yorker, began working in real estate at 18. “I was wearing polo shirts and pants and square shoes to the office,” he said. “I realized I wasn’t a sharp dresser.” One of his co-workers referred him to his tailor, Badger & Welsh Bespoke, in Midtown. “As I made more money, I started to buy more suits,” he said, “and I realized my business was getting a big boost from that.”

Mr. Petit-Frère sent friends to Badger & Welsh, and he was eventually offered a line of his own, P. Frère, under the company’s umbrella. “In the beginning, I was more of an apprentice,” he said. “I learned about measuring, tailoring, the construction of suits. I learned the lingo and the history.”

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Why Is Google Digitising the World’s Fashion Archives?

For years, Google allowed its engineers to spend 20 percent of their time on personal projects they thought would ultimately benefit the company. The tech giant has since scaled back on the policy, replacing it with a more focused approach to innovation, but Google’s famous “20 percent time” gave rise to some of its most successful products, including Gmail and AdSense.

Back in 2010, a Bombay-born engineer named Amit Sood used his “20 percent time” to kickstart the Google Art Project, an effort to digitise the world’s museums, making cultural artefacts accessible in extraordinary detail to millions of internet users. It was a Google-sized ambition that fit the company’s mission to “organise the world’s information and make it universally accessible and useful.”

The project has since grown into the Google Cultural Institute, a non-profit arm of the company, now housed in a grand hôtel particulier in the 9th arrondissement of Paris, that has partnered with over 1,300 museums and foundations to digitise everything from the Dead Sea Scrolls to Marc Chagall’s ceiling at the Opéra Garnier, making them accessible on a platform called Google Arts & Culture.

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Now, Google is turning its attention to fashion.

Encouraged by the volume of fashion-related online search queries and the rising popularity of fashion exhibitions, Google’s Cultural Institute has partnered with over 180 cultural institutions — including The Metropolitan Museum of Art’s Costume Institute, the Victoria & Albert Museum and the Kyoto Costume Institute — “to bring 3,000 years of fashion to the Google Arts & Culture platform.”

Called “We Wear Culture,” the initiative, which launches today, is based on the premise that fashion is culture, not just clothes. Led by Kate Lauterbach — a Google program manager who began her career at Condé Nast in New York and later worked for J.Crew’s Madewell — it aims to digitise and display thousands of garments from around the world, stage curated online exhibitions, invite non-profit partners like museums and schools to script and share their own fashion stories, and leverage technologies like Google Street View to offer immersive experiences like virtual walkthroughs of museum collections.

For end users, it’s a cultural rabbit hole and research tool. For partners, it’s a way to reach a much wider audience online, furthering both their educational mandates and marketing objectives. But the benefit to Google is more complex.

After a day’s immersion at Google’s Cultural Institute and associated Lab in Paris, BoF caught up with Lauterbach at the company’s London King’s Cross campus to learn more about the thinking behind the initiative and how digitising the world’s fashion archives unlocks value for the tech giant.

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BoF: Tell me about the genesis of the Culture Institute’s fashion project.

KL: Well, starting from art we expanded into culture. We did something around performance art, we did something around natural history; so very different, but the same idea: you take Google technologies, you apply them to this facet of culture and you produce something, you push the bounds, you do something different.

I worked in fashion pre-MBA and I just felt like it was a really interesting subject matter. We were starting to see fashion cropping up in different partners’ collections; it’s a personal passion of mine; and it’s also relevant and interesting and searched for online. It’s a conversation I thought we could bring some value to. We started thinking about it almost two years ago now and began having conversations with places like the V&A and the Costume Institute at the Met.

BoF: The project is named “We Wear Culture.” What does that mean?

KL: We wanted to show that fashion is much deeper than just what you wear; that there’s a story behind it, there’s people behind it, there’s influences that come from art, that come from music, that come from culture more broadly; and, in turn, what we wear influences culture. We really wanted to put fashion on a par with art and artists. You look at their influences, you look at their inspiration, you look at their process, you look at their materials. And we thought that if you can have this kind of singular resource online where all of this was starting to be discussed — and hear it from the  authority, I think that’s really critical — it would be valuable.

Source:

https://www.businessoffashion.com/articles/digital-scorecard/why-is-google-digitising-the-worlds-fashion-archives

Ashley Graham Reveals She Was Sexually Harassed At Work At 17

Ashley Graham recently revealed that she was sexually harassed on a modeling set when she was just 17 years old. 

The model recently sat down with Glamour for the magazine’s July issue to discuss her rise to fame as a plus-size supermodel and her passion for body-positive activism. During the interview, the 29-year-old opened up about a disturbing experience when she was a young model on set. 

“There was an incident on set of a campaign job when I was 17 years old ― I haven’t told this story ― and there was a photo assistant who was into me,” Graham told the magazine. “He was like, ‘Hey, come here,’ and he led me into a closet. And I was like, ‘What?’ I thought he was going to show me something. And he pulled me in, and he pulled his penis out. And he was like, ‘Grab it.’ And I was like, ‘No! That’s disgusting.’ I freaked out. And thank God I was closer to the door, and I just bolted out.” 

Graham said she never told anyone about the incident because she had hoped the man had changed. Now, however, she uses the experience as a reminder to herself to always be in control of her work and her workspace. 

“I’ve seen him at jobs since. I even knew a girl he dated,” she said. “I didn’t tell her because there was a voice in me that said, ‘Maybe he’s changed.’ It was my young mentality. But I told myself, ever since that incident, that I wasn’t going to allow someone at work to manipulate what I wanted to do on set. So any image that you see out there is one that I wanted to take.” 

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Michael Kors Closing Up to 125 Stores As Sales Plummet

Michael Kors (KORS, -8.57%) is closing up to 125 stores this year as it continues to partially unwind an aggressive expansion that had served it well when its namesake brand was hot.

The upscale brand reported on Wednesday that sales at stores open at least a year (comparable sales) fell 14.1% in its most recent quarter, and continue to fall sharply this year. What’s more, Michael Kors’ wholesale business, sales largely made to the struggling department store sector, fell 22.8% in the quarter.

 

Shares fell 6% in premarket trading. The company operates 827 stores, meaning the closings represent up to 15% or so of its fleet.

The poor results continue a difficult stretch for the company launched in the early 1980’s by the former Project Runway judge, a company that for years seemed to be able to do no wrong. Michael Kors Chief Executive John Idol in a statement blamed “a difficult retail environment with elevated promotional levels” while conceding that the product and store experience had gotten a bit stale.

Yet the company has itself to blame for most of its woes. By opening so many stores so quickly to ride the handbag boom earlier this decade and become the largest brand, Michael Kors created a ubiquity that was contradictory to a luxury cachet and hurt its ability to turn out new and exciting products.

The idea at the time was to siphon off shoppers from rival Coach (COH, +0.02%)by opening nearby stores at countless malls. For a while it worked, as Kors eclipsed the more established Coach a few years ago. But Coach, which had earlier opened too many stores and cheapened its brand, started closing stores three years ago, seeing this danger before Kors did.

The result is that the Michael Kors brand has become a fixture at off-price stores and outlets. Case in point: Michael Kors merchandise take up about a quarter of the floor space at a Bloomingdale’s outlet.

Kors has said it plans to reduce its exposure to U.S. department stores, which are struggling up and down the price spectrum. But for now it has to contend with a quickly shrinking business, much as Coach had to.

Coach has now reported four quarters in a row of comparable sales growth in North America, regaining its ability to charge higher prices, and recently agreed to buy Kate Spade, making it an even tougher competitor for Kors. Michael Kors’ stock market value is now less than half of Coach’s.

As for Kors, it forecast revenue of $4.25 billion for fiscal year 2018. Analysts on average had estimated revenue of $4.37 billion, according to Thomson Reuters I/B/E/S. Kors also said it expects high single-digit drop in same-store sales for the fiscal year.

Total sales fell 11.2% to $1.06 billion in the fourth quarter ended April 1, while analysts had expected $1.05 billion. Net loss attributable to Michael Kors was $26.8 million, or 17 cents per share, in the latest quarter, compared with net income of $177 million, or 98 cents per share, a year earlier.

Exploring New York City

Source:

http://fortune.com/2017/05/31/michaelkors-stores/

Latin America’s $160 Billion Fashion Opportunity

Regina Barrios has a fearless streak that you can sense within five minutes of meeting her. A serial entrepreneur who smiles wide but speaks her mind, Barrios is fed up with ill-informed outsiders who underestimate her part of the world. “Actually, there’s tonnes of money here. Tonnes of it,” she says brusquely before turning on a dose of easy charm.

“Call me Gina,” she entreats. “OK, true, in Latin America we have extreme poverty on the one hand and extreme wealth on the other. Some of the money is coming from weird places too so inequality is a massive problem, especially here in Mexico. It’s all true. But that doesn’t change the fact that there’s serious purchasing power for fashion here now — and I mean, serious purchasing power.”

Barrios should know. After ten years on the international trade show circuit wholesaling her jewellery line Ishi at the likes of Tranoi in Paris, Barrios opened a multi-brand boutique back in Mexico City called Lago DF which attracts wealthy chilangos and cool-hunting tourists alike. Her confidence in the local Latin American market has grown so big, in fact, that she decided to launch her very own trade show in the Mexican capital last year.

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“Caravana Americana showcases the best of Latin American design by focusing on the artisanal side of luxury,” Barrios asserts. “I’m obsessed with quality and rescuing techniques and pushing this special fusion design culture we have here. It’s not just clothing, jewellery and textiles but also objects and furniture.”

The latest edition, which was held in March, drew designers from Mexico, Peru, Colombia, Venezuela and Argentina. Retailers came from across the region and as far away as Australia to buy.

When high profile imports meet high quality exports

Trade shows across the Latin American region have been growing or upgrading their offering in recent years. Big events in Brazil and Argentina as well as Colombiamoda in Colombia’s Medellin and Intermoda in Mexico’s Guadalajara have all had to up their game to compete with smaller carefully curated new entrants.

“Well, there have been several similar events in Mexico City recently, but few really make a difference. You can definitely say Caravana Americana has become the top event of its kind,” says Raúl Alvarez, fashion editor of the Mexican edition of Elle magazine.

The growing dynamism of the region’s B2B fashion trade is the product of higher quality exports and higher profile imports. As exciting Latin American designers like Mexico’s Carla Fernandez, Colombia’s Johanna Ortiz and Peru’s Escudo by Chiara Macchiavello pushed forward to breakthrough into Europe and the US, a wave of global fashion brands entered the region.

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Stella McCartney is the latest luxury player to put down roots in the region. Having opened a boutique in Saks Fifth Avenue in Mexico City’s Centro Santa Fe shopping centre, McCartney is one of several designers partnering with the US department store chain since it first expanded south of the border ten years ago.

This wave followed a bigger one a few years ago which saw Louis Vuitton, Prada, Dior, Burberry, Hermès, Chanel and many others expand through El Palacio de Hierro, a glittering department store chain with over a dozen locations across Mexico — most notably its Polanco flagship that reopened after a $300 million renovation.

Meanwhile, Mexico’s third major department store player, the upmarket Liverpool chain, just announced it would spend $320 million to add 11 more branches to its already bulging portfolio. If that weren’t enough, the local giant is now in the final stages of acquiring a majority stake in the Chilean department store group Ripley for a reported $1.2 billion, which has over 70 stores across Chile and Peru.

“Ripley has also expanded its sales pipelines by adding e-commerce, which is gaining territory in Chile and Peru to the point that Ripley.com now has more than 8 million visits per month,” says Francisco Irarrázaval, the managing director of Ripley’s online venture.

It is becoming easier for Ripley and competitors like Falabella, a retail group with hundreds of stores and dozens of shopping malls across the region, to attract international fashion brands to their growing e-platforms.

“Initially, some are sceptical about executing online sales in the region. However, after they realise how developed e-commerce already is in several countries in South America and see the special care brands receive… they end up wanting to work with us for their entire collection,” claims Ricardo Alonso, chief executive of e-commerce at Falabella Chile.

Further upmarket, online expansion is hitting fever pitch, suggests Karla Martinez, the editor-in-chief of Vogue Mexico and Latin America. “Delivery logistics have improved significantly in the region so brands are rushing to meet consumer demand,” she says, citing the increasing popularity of global e-tailers like Net-a-Porter, Farfetch, Luisa Via Roma and MatchesFashion.

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Affordable brands like H&M, Mango and Forever 21 continue to aggressively expand their footprint across the region too and many new shopping malls are opening in Mexico, Chile, Peru and Colombia. But if international luxury brands are to continue their march into Latin America, even more physical retail expansion and infrastructure upgrades are necessary.

Source:

https://www.businessoffashion.com/articles/global-currents/latin-americas-160-billion-fashion-opportunity

How to get a refund from LuLaRoe for your ripped leggings

LuLaRoe is refunding customers following complaints about the quality of the company’s clothing, as Business Insider reported earlier.

The policies include the “Make Good” program — which applies to purchases made between January 1, 2016 and today — and the “Happiness Policy,” which applies to all future purchases.

Here’s a breakdown on the specifics of each policy, and how customers can get a refund, credit, or exchange.

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The “Make Good” program:

  • Applies only to purchases of defective merchandise made between January 1, 2016 and April 24, 2017.
  • Customers can apply for a replacement, gift card, or cash refund by contacting the retailer who sold them the product and arranging to have the product and proof of purchase returned to them. The proof of purchase must include a copy of the original receipt or a copy of a bank statement reflecting the purchase and identifying the retailer. Customers will not be charged for return shipping.
  • If that retailer refuses to help them, customers can contact LuLaRoe through its “Make Good” website, and the company will connect them with another retailer who can process their claim.
  • Customers can also apply for a refund in the form of a personal check or a LuLaRoe gift card by making a claim directly to LuLaRoe on its “Make Good” website. The website contains a form for submitting claims. 
  • Claims must be submitted no later than July 31, 2017.

The “Happiness” policy

  • Applies to purchases made on or after April 25, 2017.
  • Within 30 days of purchase, customers can return products for any reason to the retailer they purchased from to receive a full refund, credit, or exchange.
  • Within 90 days of purchase, customers can return products for any reason to any retailer to receive a credit or exchange.
  • Customers can also apply for a refund in the form of a personal check or a LuLaRoe gift card by making a claim directly to LuLaRoe on its “Happiness Policy” website. The website contains a form for submitting claims. 
  • Customers must provide their original purchase receipt to complete a return. Customers will not be charged for return shipping.
  • If a product has a manufacturing defect in materials or workmanship, customers may be entitled to a return any time under the company’s new limited warranty. The limited warranty applies to items purchased after April 24, 2017.

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Source:

http://www.businessinsider.com/how-to-get-a-refund-for-lularoe-leggings-2017-4