The new reboot of Stephen King’s “It” hasn’t even opened in theaters, but director Andy Muschiettiis already planning for the next installment. The sequel is a near-certainty since King’s book switches off between two storylines, and it’s already known that the film that opens Friday focuses more on the child characters.
Though it has always been planned as a two-part story, Warner Bros. isn’t emphasizing the two movies in marketing materials. Perhaps the studio learned from “The Dark Tower,” which was planned as a movie, TV series and more, but fizzled after the first film disappointed.
However, the movie itself leaves plenty of room for a sequel, not to mention the fact that the title card at the end of the film (MILD SPOILER ALERT) reads “It: Chapter One.”
The novel “It” follows a group of children known as “the Losers Club” as they battle the evil force known as Pennywise, then follows up with another battle with the creature 30 years later. While the 1990 miniseries adaptation directly follows the plot of King’s novel, including interdimensional travel (Carey Fukunaga’s original script for the reboot reportedly included a dimension portal), Muschietti’s version is much more grounded and does away with the weird otherworldliness…at least for now.
Muschietti told Variety that he doesn’t think of the next film as a sequel, more like the second half of a single story and that’s he’s prepared to helm this project as well.
“I really wanted to focus on the emotional journey of the group of kids. Getting in to that other dimension — the other side — was something that we could introduce in the second part,” Muschietti said in an interview with Yahoo Movies. “In the book the perspective of the writing… is always with the Losers, so everything they know about Pennywise is very speculative and shrouded in absurdity, so I wanted to respect that mystery feeling of not knowing what’s on the other side.”
“It” is expected to break the record for biggest opening weekend of a non-sequel, R-rated horror film, currently held by “The Conjuring,” which debuted to $41 million in 2013.