Today, we think of vampires as sexy Byronic figures accompanied by a heady aura of sex, tragedy, and mystery. But without Anne Rice, their fascinating human qualities would still lurk in the shadows. When Rice first published Interview with the Vampire in 1976, she singlehandedly transformed the age-old myth. Without Lestat, there would be no Angel or Spike, no Eric Northman or Edward Cullen, no Only Lovers Left Alive or Penny Dreadful. Bram Stoker might have given widespread life to the vampire myth, but their modern legacy belongs to Anne Rice.
Rice’s Vampire Chronicles series has continued in the ensuring years, with over ten novels and several film adaptations, the most famous being Interview with the Vampire starring Brad Pitt and Tom Cruise. Her latest work is Prince Lestat and the Realms of Atlantis. Rice spoke to Inverse about how she’s seen the genre change, what keeps her coming back, what she likes to read and watch in her spare time, and more.
The vampire genre has changed a great deal since you first wrote Interview with the Vampire. How have you seen it evolve during your career?
The concept of the vampire is rich and powerful, and I have been delighted to see so many authors unpacking that concept in so many different ways. I suspect we’ll continue to see new and distinctive “vampire” novelists. I love seeing it go in the romantic direction, as I have always found vampires to be intensely romantic. Twilight made me think of Bronte’s Jane Eyre in a way — the innocent young girl attracted to the powerful “dark” figure with whom she feels safe even though he is potentially menacing.
It’s been 40 years since I published Interview with the Vampire, and I never dreamed that there would be a series of novels growing out of that experience or that Lestat would become the hero of that series. I’m marveling at how things have worked out. I love writing from Lestat’s point of view, and I’ve been profoundly grateful for the reception to this latest novel, Prince Lestat and the Realms of Atlantis. I am at work on a new “Prince Lestat” novel which might make something of a “Prince Lestat” trilogy out of the reboot of the series that began with Prince Lestat in 2014. I never plan these things. I see them in retrospect.
What’s been the most challenging part of following Lestat, on and off, for 40 years of your career? The most rewarding part?
It’s been absolutely wonderful. Lestat is my soul, my hero, my inner self, my ideal self. I feel an intensity when writing about him that I get with no other character … almost. Lestat reflects my ups and downs, so I would have to say writing about him as defeated, despairing, miserable — that’s the hardest challenge.